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Practical and dynamic work methodology for the self-taught student as well as for the teacher in class
CONTENTS
The FREE VERSION (PDF de 15 pages – 1.8 MB) does not contain:
* 35 LESSONS (structure, application, upper structures triads and phrases)
* EXCERSICES (modal & chord progressions)
* 119 AUDIOS
* SUMMARY TABLE (Final Synthesis)
OBJECTIVES AND PURPOSES
This Theory book on Symmetrical Scales for all musicians includes the 4 symmetrical scales most frequently used in popular music, these being: Symmetrical Dominant, Symmetrical Diminished, Whole Tone and Augmented.
Each of them will be developed in detail, from the analysis of its structure, the triads and seventh chords that it generates its use as part of a song and its application on different types of chords and harmonic situations when improvising.
It is important to keep in mind that the knowledge and the consequent application of each one of the four scales will considerably expand our musical language when composing or improvising.
In general terms, although the diminished chord and the maj7 chord have their space, the dominant chord is the protagonist in addition to other application options that will be mentioned.
Important: In this book, in order to facilitate musical reading, enharmonic are used. Example: the note or sound Eb on C7 will be analyzed as #9 since Eb is enharmonic of D#.
CONTENTS
The book in each of the 4 scales develops the following axes:
1. Definition and Structure.
2. Applications: as part of a song and uses when improvising.
3. Structures: triads and seventh chords from each scale.
4. Exercises: practice each of the scales over one chord (Modal) and over harmonic progressions.
5. Melodic ideas: melodic lines as starting point to create your own melodic ideas.
The Final Synthesis they give us the possibility of having all the information organized for a permanent, quick and easy consultation.
119 AUDIOS
In order to appreciate the sound generated by each of the scales, it is essential to listen to the audios included in each of the aforementioned axes.
For more information please contact to the author: contacto@armandoalonso.com.ar
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