{"id":1113,"date":"2020-11-05T12:15:56","date_gmt":"2020-11-05T15:15:56","guid":{"rendered":"http:\/\/serie20y20.com.ar\/armando-alonso\/?post_type=product&p=1113"},"modified":"2022-06-08T11:13:35","modified_gmt":"2022-06-08T14:13:35","slug":"theory-triad-pairs-1-in-eb-free","status":"publish","type":"product","link":"https:\/\/serie20y20.com.ar\/armando-alonso\/en\/product\/theory-triad-pairs-1-in-eb-free\/","title":{"rendered":"THEORY \/ Triad Pairs 1 in Eb – FREE VERSION"},"content":{"rendered":"

If you wish you can purchase the Complete Book by<\/strong> CLICKING HERE<\/strong><\/a><\/span><\/h3>\n
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Practical and dynamic work methodology for the self-taught student as well as for the teacher in class<\/strong><\/p>\n

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CONTENTS<\/strong><\/p>\n

The FREE VERSION<\/strong> <\/span>(PDF 12 pages \u2013 5 MB)<\/strong>\u00a0does not contain:<\/span><\/strong><\/strong><\/p>\n

* 7 Lessons<\/strong><\/span> (application on nine types of seventh chords)<\/em><\/em><\/p>\n

* Repertoire<\/span><\/strong> (Maiden Voyage – So What – Cantaloupe Island )<\/em><\/em><\/p>\n

* Audios & Backing Tracks<\/strong> <\/span>( 73 in Total )<\/em><\/em><\/p>\n

* Final Synthesis<\/span><\/strong> (by type of chord )\u00a0<\/em><\/p>\n

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OBJECTIVES AND PURPOSES<\/strong><\/p>\n

This book on Theory \/ Paired Triads 1<\/strong>, for all instrumentalists<\/strong>, includes the concept pairs which refers to two triads of the same type or species that are at pitch distance from each other.<\/strong><\/p>\n

They arise from the major and melodic minor scale.<\/strong> Each of the pairs includes major, minor, and diminished triads.<\/strong><\/p>\n

It is important to bear in mind that the pair of triads is considered as a melodic unit<\/strong> formed by the different combinations of the triads that define said pair.<\/p>\n

In general, they are used mainly in modal harmonies or on the same seventh chord<\/strong> that is maintained for several measures,<\/p>\n

This does not prevent us from expanding our search in its use either in different progressions as well as in any work or song.<\/strong><\/p>\n

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CONTENTS<\/strong><\/p>\n

The book has 7 lessons, 16 melodic patterns and 13 special links<\/strong> with all the details of the application of the triads and the audio tracks corresponding to 9 different types of 7th chords.<\/strong><\/p>\n

It also contains the superposition of the different pairs of triads on three works of the Jazz repertoire<\/strong>. (Cantaloupe Island – Maiden Voyage – So What)<\/em><\/p>\n

The Synthesis and Summary Table<\/strong>s give us the possibility of having all the information organized for a permanent, quick and easy consultation.<\/strong><\/p>\n

Said pairs are presented in the closed position,<\/strong> which does not prevent those who wish to do so from developing them in the open position.<\/strong> (See Spread Triads 1 and 2 for guitar by N\u00e9stor Crespo from this same publisher)<\/em><\/p>\n

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AUDIOS<\/strong>
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In order to appreciate the sound generated<\/strong> by the superposition of each pair of triads, listening to the audios included in each of the lessons is essential.<\/strong><\/p>\n

It also includes:<\/p>\n

18 Practice Tracks: Modal<\/strong> (over nine types of seventh chords)<\/em><\/p>\n

3 Practice Tracks: Jazz<\/strong> (Cantaloupe Island – Maiden Voyage – So What)<\/em><\/p>\n

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For more information please contact to the author:\u00a0contacto@armandoalonso.com.ar<\/a>\u00a0<\/span><\/p>\n

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Related Books<\/strong><\/h2>\n

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