{"id":1339,"date":"2021-06-11T13:54:58","date_gmt":"2021-06-11T16:54:58","guid":{"rendered":"http:\/\/serie20y20.com.ar\/armando-alonso\/?post_type=product&p=1339"},"modified":"2022-06-08T11:08:19","modified_gmt":"2022-06-08T14:08:19","slug":"theory-symmetrical-scales-free-version","status":"publish","type":"product","link":"https:\/\/serie20y20.com.ar\/armando-alonso\/en\/product\/theory-symmetrical-scales-free-version\/","title":{"rendered":"THEORY \/ Symmetrical Scales (For all instruments) FREE VERSION"},"content":{"rendered":"

If you wish you can purchase the Complete Book by<\/strong> CLICKING HERE<\/strong><\/a><\/span><\/h3>\n
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Practical and dynamic work methodology for the self-taught student as well as for the teacher in class<\/strong><\/p>\n

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CONTENTS<\/strong><\/p>\n

The\u00a0FREE VERSION<\/strong><\/span> (PDF de 15 pages \u2013 1.8 MB)<\/strong> does not contain:<\/strong><\/span><\/p>\n

* 35 LESSON<\/span>S<\/span><\/strong> (structure, application, upper structures triads and phrases)<\/em><\/p>\n

* EXCERSICES<\/span><\/strong> (modal & chord progressions)<\/em><\/p>\n

* 119 AUDIOS<\/span><\/strong><\/p>\n

* SUMMARY TABLE<\/span> <\/strong>(Final Synthesis)<\/em><\/p>\n

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OBJECTIVES AND PURPOSES<\/strong><\/p>\n

This Theory book on Symmetrical Scales for all musicians includes the 4 symmetrical scales most frequently used in popular music,<\/strong> these being: Symmetrical Dominant, Symmetrical Diminished, Whole Tone and Augmented.<\/strong><\/p>\n

Each of them will be developed in detail, from the analysis of its structure, the triads and seventh chords that it generates<\/strong> its use as part of a song and its application on different types of chords<\/strong> and harmonic situations when improvising.<\/strong><\/p>\n

It is important to keep in mind that the knowledge and the consequent application of each one of the four scales will considerably expand our musical language when composing or improvising.<\/strong><\/p>\n

In general terms, although the diminished chord and the maj7 chord<\/strong> have their space, the dominant chord is the protagonist<\/strong> in addition to other application options that will be mentioned.<\/p>\n

Important:<\/strong> In this book, in order to facilitate musical reading, enharmonic are used<\/strong>. Example: the note or sound Eb on C7 will be analyzed as #9 since Eb is enharmonic of D#.<\/strong><\/p>\n

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CONTENTS<\/strong><\/p>\n

The book in each of the 4 scales<\/strong> develops the following axes:<\/p>\n

1. Definition and Structure.<\/strong><\/p>\n

2. Applications:<\/strong> as part of a song and uses when improvising.<\/p>\n

3. Structures:<\/strong> triads and seventh chords from each scale.<\/p>\n

4. Exercises:<\/strong> practice each of the scales over one chord (Modal) and over harmonic progressions.<\/p>\n

5. Melodic ideas:<\/strong> melodic lines as starting point to create your own melodic ideas.<\/p>\n

The Final Synthesis<\/strong> they give us the possibility of having all the information organized for a permanent, quick and easy consultation.<\/p>\n

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119 AUDIOS<\/strong><\/p>\n

In order to appreciate the sound generated by each of the scales, it is essential to listen to the audios included in each of the aforementioned axes.<\/p>\n

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For more information please contact to the author:\u00a0contacto@armandoalonso.com.ar<\/a>\u00a0<\/span><\/p>\n

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