{"id":2159,"date":"2026-04-24T11:49:05","date_gmt":"2026-04-24T14:49:05","guid":{"rendered":"https:\/\/serie20y20.com.ar\/armando-alonso\/?post_type=product&p=2159"},"modified":"2026-04-30T13:04:01","modified_gmt":"2026-04-30T16:04:01","slug":"theory-36-major-blues-harmonies-bb-major","status":"publish","type":"product","link":"https:\/\/serie20y20.com.ar\/armando-alonso\/en\/product\/theory-36-major-blues-harmonies-bb-major\/","title":{"rendered":"THEORY \/ 36 MAJOR BLUES HARMONIES \u2013 (Bb Major)"},"content":{"rendered":"

Practical and dynamic work methodology for the
\nself-taught student as well as for the teacher in class<\/strong><\/p>\n

\n

CONTENTS<\/strong><\/p>\n

You are buying\u00a0(PDF with 79 pages \u2013 29 MB)<\/strong>\u00a0which contains:<\/p>\n

* 36 Major Blues Harmonies<\/strong> (Bb Major)<\/p>\n

* 36 Major Blues Harmonies<\/strong> (Functional Analyses)<\/p>\n

* 36 Audios & Backing Tracks<\/strong><\/p>\n

\n

PERSONAL CONSIDERATIONS<\/strong><\/p>\n

The Blues form is, for me, one of the most important progressions to study, since within a brief span\u201412 measures\u2014it offers the possibility to explore and develop the three tonal functions: Tonic, Subdominant, and Dominant<\/strong>.<\/p>\n

\n

ABOUT THE BOOK<\/strong><\/p>\n

In my book \u201cMajor Blues Harmony\u201d<\/strong>, starting from the foundational structure<\/strong>, which contains the three degrees I\u2013IV\u2013V<\/strong>, I develop 36 reharmonizations<\/strong> by applying concepts from Functional Harmony, Coltrane Changes, Hybrid Chords<\/strong>, among others.<\/p>\n

It is important to highlight that each reharmonization also includes a \u201cWritten Functional Analysis.\u201d
\n<\/strong>
\nIf you have any questions, I recommend consulting my book \u201cTriad Superimposition 1\u201d<\/strong>, as well as \u201cFunctional Harmony I and II\u201d<\/strong> by N\u00e9stor Crespo. These are available through our Digital Music Publishing Serie 20&20<\/strong> \u2013 www.serie20y20.com.ar<\/a><\/p>\n

\n

HOW TO USE THE BOOK
\n<\/strong>
\nSince this is an \u201cINTERACTIVE\u201d book, it is essential to print it single-sided.
\n<\/strong>
\nThe reason for single-sided printing<\/strong> is that on each page you will find two dotted lines marked<\/strong> with a \u201cscissors symbol \u201d<\/strong> on the right margin, along with a \u201cvertical boundary line\u201d indicating where to cut<\/strong>.<\/p>\n

Each reharmonization is divided into \u201cThree Blocks\u201d<\/strong>:
\n\u2981 Block 1<\/strong>: measures 1 to 4<\/strong>
\n\u2981 Block 2<\/strong>: measures 5 to 8<\/strong>
\n\u2981 Block 3: measures 9 to 12
\n<\/strong>
\nEach of the 36 reharmonizations within each block can be freely combined with the others<\/strong>.<\/p>\n

\n

HOW TO COMBINE BLOCKS<\/strong><\/p>\n

With the book printed and the cuts made<\/strong>, you can, for example, combine \u201cBlock 1 from Blues 1\u201d<\/strong> with \u201cBlock 2 from Blues 4\u201d<\/strong> and finish with \u201cBlock 3 from Blues 16.\u201d<\/strong>
\nIn this way, you can achieve a large number of possible reharmonizations.<\/strong><\/p>\n

\n

AUDIOS
\n<\/strong>
\nThe book also includes 36 audio tracks<\/strong> corresponding to the 36 original Blues<\/strong>.<\/p>\n

Naturally, audio examples of all possible block combinations are not included.<\/strong><\/p>\n

\n

OBJECTIVE<\/strong><\/p>\n

The goal is for some of the combinations you discover to inspire you to compose a blues<\/strong>. Additionally, when improvising, you may choose to use a different combination or the standard Major Blues structure.<\/p>\n

\n

For more information please contact to the author:\u00a0contacto@armandoalonso.com.ar<\/a>\u00a0<\/span><\/p>\n

\n

Related Books<\/strong><\/h2>\n

\"\"<\/a> \"\"<\/a> \"\"<\/a><\/p>\n

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