{"id":53,"date":"2019-01-31T23:32:53","date_gmt":"2019-02-01T02:32:53","guid":{"rendered":"http:\/\/serie20y20.com.ar\/armando-alonso\/?post_type=product&p=53"},"modified":"2026-03-30T10:41:15","modified_gmt":"2026-03-30T13:41:15","slug":"theory-superimposition-of-triads-1","status":"publish","type":"product","link":"https:\/\/serie20y20.com.ar\/armando-alonso\/en\/product\/theory-superimposition-of-triads-1\/","title":{"rendered":"THEORY\/ Superimposition of Triads 1"},"content":{"rendered":"

Practical and dynamic work methodology for the
\nself-taught student as well as for the teacher in class<\/strong><\/p>\n

\n

You are buying (PDF with 112 pages \u2013 528 MB)<\/strong>\u00a0\u00a0which contains:<\/p>\n

* 20 Lessons & 20 Exercises<\/strong><\/p>\n

* 8 Exercises with Circle of Fifths<\/strong><\/p>\n

* 4 Songs <\/strong>(Jazz Standards \u2013 Major and Minor Blues with backings tracks)<\/em><\/p>\n

* 232 Audios & Backing Tracks<\/strong>\u00a0(Essential complement for the complete study of this Ebook)<\/em><\/p>\n

* Printable Book<\/strong>\u00a0(Without Watermark)<\/em><\/p>\n

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OBJECTIVES AND PURPOSES<\/strong><\/p>\n

The book of\u00a0Theory \/ Superposition of Triads 1<\/strong>, for all instrumentalists, includes the following triads:\u00a0Major, Minor, Diminished and Augmented.<\/strong>\u00a0My idea is to generate a form of musical thinking from use and overlap of triads, either from the formation of the seventh chord to the application of tensions.<\/p>\n

From a simple unit such as the triad we will be able to easily handle different harmonic textures, for example, by\u00a0superimposing the triad of Em on Cmaj7<\/strong>\u00a0we generate:\u00a03, 5 and 7<\/strong>\u00a0of the chord, instead if we superimpose the triad of\u00a0D Mayor\u00a0<\/strong>we will be generating:\u00a09, #11 and 6.<\/strong><\/p>\n

In the future, the management of this concept will allow us not only to\u00a0use the different triads when improvising<\/strong>\u00a0but also to think of other harmonies which will be\u00a0superimposed on the original ones<\/strong>\u00a0to be used in the form of chords\u00a0<\/strong><\/p>\n

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CONTENTS<\/strong><\/p>\n

The book has\u00a020 lessons<\/strong>\u00a0with all the details of the application of the triads and\u00a020 exercises<\/strong>\u00a0which include different specific\u00a0harmonic progressions<\/strong>\u00a0to apply the different overlays. It also contains the superposition of the different triads on\u00a0Circle of 5th<\/strong>\u00a0(8 chord species) and\u00a0Standards, Major & Minor Blues.<\/strong><\/p>\n

The information is organized according to the functional harmony both in the major mode and in the minor mode, including:\u00a0diatonic substitutions, secondary dominant, substitutes, second relative minor, etc.<\/strong><\/p>\n

The\u00a0Synthesis tables<\/strong>\u00a0and summaries do not give the possibility of having all the information organized for quick and easy permanent consultation.<\/p>\n

In the book the triads are presented in a\u00a0closed position<\/strong>\u00a0which does not prevent anyone who wishes to investigate them in an open position\u00a0(N\u00e9stor Crespo Spread Triads 1 and 2 \u2013www.serie20y20.com.ar)<\/em><\/p>\n

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AUDIOS <\/strong>(232 Audios & Backing Tracks)<\/em>
\n<\/strong><\/p>\n

In order to\u00a0appreciate the sound generated<\/strong>\u00a0by the superimposition of triads,\u00a0listening to the audios included in each of the lessons is essential.<\/strong><\/p>\n

This Book\u00a0 also includes the audios corresponding to the\u00a0exercises in a modal<\/strong>\u00a0way, the\u00a0harmonic progressions<\/strong>, Jazz<\/strong>\u00a0Standard and\u00a0 Major & Minor Blues.<\/strong><\/p>\n

In the\u00a0exercises it is convenient to first play<\/strong>\u00a0each of the triads\u00a0(in fundamental state and\u00a0<\/em>their investments)<\/em>\u00a0in the form of a chord<\/strong>\u00a0devoid of any rhythm in order to\u00a0concentrate solely on the generated sound<\/strong>, once this stage is over we can apply the same triads in a melodic way.<\/p>\n

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For more information please contact to the author:\u00a0contacto@armandoalonso.com.ar<\/a>\u00a0<\/span><\/p>\n

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Related Books<\/strong><\/h2>\n

\"\"<\/a>\u00a0\u00a0\"\"<\/a>\u00a0 \u00a0\"\"<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"