{"id":703,"date":"2020-03-28T00:03:28","date_gmt":"2020-03-28T03:03:28","guid":{"rendered":"http:\/\/serie20y20.com.ar\/armando-alonso\/?post_type=product&p=703"},"modified":"2026-03-30T10:40:30","modified_gmt":"2026-03-30T13:40:30","slug":"theory-superimposition-of-triads-2","status":"publish","type":"product","link":"https:\/\/serie20y20.com.ar\/armando-alonso\/en\/product\/theory-superimposition-of-triads-2\/","title":{"rendered":"THEORY \/ SUPERIMPOSITION OF TRIADS 2"},"content":{"rendered":"

Practical and dynamic work methodology for the
\nself-taught student as well as for the teacher in class<\/strong><\/p>\n

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You are buying (PDF with 112 pages \u2013 528 MB)<\/strong>\u00a0\u00a0which contains:<\/p>\n

* 20 Lessons & 20 Exercises<\/strong><\/p>\n

* 8 Exercises with Circle of Fifths<\/strong><\/p>\n

* 4 Songs <\/strong>(Jazz Standards \u2013 Major and Minor Blues with backings tracks)<\/em><\/p>\n

* 232 Audios & Backing Tracks<\/strong>\u00a0(Essential complement for the complete study of this Ebook)<\/em><\/p>\n

* Printable Book<\/strong>\u00a0(Without Watermark)<\/em><\/p>\n

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OBJECTIVES AND PURPOSES<\/strong><\/p>\n

The book of Theory \/ Superposition of Triads 2, for all instrumentalists, includes the following triads: sus4, Phrygian and Lydian, as well as in Theory 1, my idea is to generate a form of musical thinking from use and overlap of triads, either from the formation of the seventh chord to the application of tensions.<\/p>\n

From a simple unit such as the triad we will be able to easily handle different harmonic textures, for example, by superimposing the triad of Esus4 on Cmaj7 we generate: 3, 6 and 7 of the chord, instead if we superimpose the triad of C Lidia We will be generating: T, # 11 and 5.<\/p>\n

In the future, the management of this concept will allow us not only to use the different triads when improvising but also to think of other harmonies which will be superimposed on the original ones to be used in the form of chords<\/p>\n

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CONTENTS<\/strong><\/p>\n

The book has\u00a020 lessons<\/strong>\u00a0with all the details of the application of the triads and\u00a020 exercises<\/strong>\u00a0which include different specific\u00a0harmonic progressions<\/strong>\u00a0to apply the different overlays. It also contains the superposition of the different triads on\u00a0Circle of 5th<\/strong>\u00a0(8 chord species) and\u00a0Standards, Major & Minor Blues.<\/strong><\/p>\n

The information is organized according to the functional harmony both in the major mode and in the minor mode, including:\u00a0diatonic substitutions, secondary dominant, substitutes, second relative minor, etc.<\/strong><\/p>\n

The\u00a0Synthesis tables<\/strong>\u00a0and summaries do not give the possibility of having all the information organized for quick and easy permanent consultation.<\/p>\n

In the book the triads are presented in a\u00a0closed position<\/strong>\u00a0which does not prevent anyone who wishes to investigate them in an open position\u00a0(N\u00e9stor Crespo Spread Triads 1 and 2 \u2013www.serie20y20.com.ar)<\/em><\/p>\n

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AUDIOS <\/strong>(232 Audios & Backing Tracks)<\/em>
\n<\/strong><\/p>\n

In order to\u00a0appreciate the sound generated<\/strong>\u00a0by the superimposition of triads,\u00a0listening to the audios included in each of the lessons is essential.<\/strong><\/p>\n

This Book of Theory 2 also includes the audios corresponding to the exercises in a modal way, the harmonic progressions, Standard and Blues major and minor themes.<\/p>\n

In the\u00a0exercises it is convenient to first play<\/strong>\u00a0each of the triads\u00a0(in fundamental state and\u00a0<\/em>their investments)<\/em>\u00a0in the form of a chord<\/strong>\u00a0devoid of any rhythm in order to\u00a0concentrate solely on the generated sound<\/strong>, once this stage is over we can apply the same triads in a melodic way.<\/p>\n

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For more information please contact to the author:\u00a0contacto@armandoalonso.com.ar<\/a>\u00a0<\/span><\/p>\n

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